To risk sounding like the opening lines of a bad country
song, my dog died last week. [Insert
lyrics re: pickup trucks, cowboy boots].
It was the puppy, Jacqueline Cousteau. I had been in Ngaoundere for the weekend to
work on applications and catch up on emails, and got back into Mbang Mboum just
before 1:30 prayer on Sunday. My
landlord having recently taken a second wife, a widowed mother of five, the
number of children in my concession has doubled. I’m still unaccustomed to the new dynamic,
and was a little overwhelmed by the mob that swallowed me as soon as I climbed
off my moto, little hands grabbing my bags and tugging on my shirttail.
“Laura! Laura! Lao Mboum!” they chanted, my actual name and
my household name competing as the children called over each other.
“Yes, yes,” I agreed vaguely, distracted by the difficulty
of unlocking my door while juggling two bags of groceries and a motorcycle
helmet.
Nyari, the oldest son, pushed his way to the front. “Non!”
he cried. “Laura, c’est le sien”—le chien, the dog, his Northern accent eliding
a hard “ch”.
I looked at him, not yet understanding. Nyari’s younger brother Nzika took up the
thread. “Il est mort,” he said, still smiling, his tone matter-of-fact. The other children pressed closer, curious to
see my reaction, as I registered for the first time the small, still, furry
body barely visible behind a row of potted plants on my porch.
Two things flashed through my brain at once. The first was a stupefied horror at the
unexpected nature of the news. The
second was an instant resolve that I could not—absolutely could not—cry in front
of the children, not over this. Their
attitude to delivering the news perfectly encapsulates the Cameroonian attitude
towards both animals and death: it was worth commenting on—something that
happened; news to give—but it was news that could be delivered with a
smile. It rained yesterday. The corn’s about ready to harvest. Your dog died. It was certainly nothing to get worked up
over, nothing particularly sad. I know
the family already has trouble understanding my attachment to my dogs, and
while they try to make excuses for me as an American, they disapprove, on some
level, of me feeding the dogs meat and letting them into my house. The children aren’t ill-intentioned, but they
can be thoughtlessly cruel, and I knew if I showed emotion, they would laugh. They
would not be amused by my pain, but amused by the strange thought that someone
would cry over a dog.
So I swallowed hard and carried on, putting my bags away as
quickly and efficiently as possible before walking to my postmate Alizabeth’s
house. As I told her the news, I began
to feel a lump in my throat, and when she immediately pulled me into a hug, I
dissolved into tears. As I wiped them
away and took a few deep breaths, Aliz gathered a shovel and an old cardboard
box.
Cousteau’s little body was already stiff; Death, the
taxidermist, had done his work. I tried
to fold her into the box, and bit back an inappropriate impulse to laugh at the
legs that determinedly jutted out, as though she were trying to brake an
unexpected fall. Too late for that,
little girl.
The children goggled at us as we carried the canine corpse
out to our garden, currently at the height of bloom. We found a clear spot, behind the sweet
potato mound and adjacent to the cucumbers, within sight of a wall of exuberant
sunflowers. Scipio Africanus, Cousteau’s
mother and my first dog, came bursting out of the rows of corn; she sniffed the
rigid cadaver before losing interest and wandering away, not seeming to find
anything in the dead dog that related to her. As Aliz searched for rocks to build a cairn, I
began to dig.
The sun beat down mercilessly, and I soon stripped down to my
sports bra, sweat rolling down my back as I attacked the red clay hardpan. I fell into a rhythm, the thud of the shovel
head matching my heavy breathing. A half
a foot deep. A foot deep. I realized I was crying again, although I
wasn’t sure it was only over Cousteau.
My two dogs, while sometimes an impediment to my fuller
integration—I have far fewer visitors than my postmate, and neighbors have told
me it is because people are afraid of my unchained beasts—have been one of the
most important factors in keeping me sane during my service. In an environment where I am constantly
required to adapt to other people’s culture and expectations, having a dog, unpopular
as that decision is, is a way to draw a boundary, to push back, to stake out
some territory that is mine. It is my small
way of forcing people to meet me in the middle, which doesn’t often happen
here. The relationship between a Peace
Corps Volunteer and her community is not one that goes both ways. We cannot insist that things be on our terms;
our communities can and do. We must try
daily to understand a point of view and set of values that may be alien to us;
our communities, unaccustomed to this practice, rarely try to understand our
core beliefs or why we think and do the way we do. The burden is on us to bend over backwards in
the name of cultural sensitivity. Knees
are inappropriate in a Muslim village, so skirts shorter than mid-calf are
excommunicated from my wardrobe.
Vegetarianism is inexplicable and perceived as rude, so I eat meat. Never would I insist that my village try and
understand that in America, we rock booty shorts in public and embrace
veganism. Don’t get me wrong, I think
being forced into this kind of humility is an extremely healthy exercise. It’s something that we don’t do enough of at
home, where trumpeting about Rights in a Free Country often drowns out empathy
and respect—but it’s wearing, to so rarely feel comfortable asserting what I
really think and believe and stand for.
It’s hard to feel forced to subjugate parts of myself, as much as I
understand the value of doing so.
The dogs, then, have come to be more than just dogs. They represent a small but public declaration
of my values and my culture. I cannot
come out to people here as an atheist. I
cannot be honest about my beliefs regarding gender and sexuality. I cannot insist that people show me respect
equal to that they would show a man. I
can, however, go running every morning with my two dogs bounding along at my
side—and if it makes people uncomfortable, which it almost certainly does,
well, that’s healthy for them, too.
Obviously I don’t always think of my dogs in these terms;
the vast majority of the time, they’re slobbery, dirty animals, who are cute
and annoying and loud and eat everything and track mud into my kitchen. They’re dogs.
But as I panted and sweated and shoveled dirt onto my feet, I
felt that it was more than a dead dog in the cardboard box. It was, for that moment, my right to make
decisions based on my internal compass, not on the fear of judgment and gossip
from my narrow-minded community. An
Elspeth Huxley quote came to mind: “Africa is cruel. It takes your heart and grinds it into
powdered stone—and no-one minds.”
If this seems dramatic, it was. Cousteau was my favorite of the litter of
puppies, but she was a dog; she was not a person, and unlike some Americans, I
know the difference. The moment passed,
as do all such low points. I worked my
frustration out, the ache in my shoulders cathartic. By the time Aliz returned, laden with stones,
I was in control of myself again, and had settled into a very Cameroonian state
of (depending on your point of view) fatalism, or practicality. She was a dog. She died, as all things die. And so we were burying her, and life would go
on.
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My favorite friend with my favorite puppy. Rest in peace, Cousteau. |
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